My response to Todd Cronan’s book, Red Aesthetics: Rodchenko, Brecht, Eisentstein, was just published in The Tank via Nonsite, along with several others.

Excerpt: “Indeed, art can draw on the full breadth of sense perception to engage with and remodel people’s lived experience, cultivate an accurate comprehension of the social totality, and ultimately bring them into a collective process of world making. Would Cronan agree with the suggestion that this very expansive understanding of an accurate depiction of reality—which includes a dialectically entwined relationship between perception, comprehension, and practice—is operative in red aesthetics? [read more]”

In my latest article, which is part of my book project on the Intellectual World War, I explain how Žižek rose to fame in the global theory industry by promoting pomo radlib theory against “the global solution-revolution” of “Marxism” (his words). He refers to communism as “maybe the worst catastrophe in the history of humanity” (sic). No wonder he’s the (capitalist) world’s most famous “Marxist”! He’s capitalism’s court jester: aping the figure of the Marxist-qua-antisocial-fanatic, he encourages disdain for the real-world project of socialism, while advancing his career by hawking the wares of Western consumer society & the global theory industry through his pop cultural mash-up.