Check out the University of the Commons‘ online summer seminar on “International Critical Theory,” which will run in parallel to the Critical Theory Workshop‘s summer program in Paris. If you’re interested in the topic, click here for all of the details.
I’m excited to collaborate with Emre Çetin Gürer and the University of the Commons to launch an online seminar in July on “International Critical Theory,” which will run in parallel to the Critical Theory Workshop‘s summer program in Paris. If you’re interested in the topic, click here for all of the details.
Description
The Critical Theory Workshop, in collaboration with the University of the Commons, is proposing an online seminar that will run in parallel to the July workshop in Paris, extending its work into a global virtual network of scholars while facilitating the participation of those who cannot afford to travel. By combining live streams and recordings of select events in Paris with a series of participatory symposia run by the facilitator, the course seeks to put global communications technology in the service of an ecological and widely accessible format for international education. Continue reading
The Critical Theory Workshop will by launching its symposia series on April 26th, 2019, and I will be presenting my research on the consequences of the CIA’s cultural Cold War on the international theory industry. Click here for additional details.
I will be giving the seminar below on March 23rd from 10 a.m. to 2 p.m. at Incite Seminars in downtown Philadelphia, in collaboration with the Critical Theory Workshop.
AESTHETICS: TOWARD A RADICAL HISTORY
This seminar will explore some of the most vexing questions in the history of aesthetics: What is art? How does it relate to the ‘real’ world of politics and society? How has it developed and changed over time? It will examine some of the responses given to these questions by major thinkers like Georg Lukács, Herbert Marcuse, Jean-Paul Sartre, Susan Sontag and Jacques Rancière. This will lead to a broader interrogation into the very presuppositions that structure these types of questions, as well as their answers, thereby opening space for a tectonic shift in our understanding of aesthetics, its social roles, and its history.
In its broadest sense, this shift will lead from an understanding of aesthetics as having a more or less fixed nature to one in which it is radically historicized by being recognized as a dynamic social product of certain cultures. Examining the networks of production, circulation and reception operative in what is called art in the modern ‘Western’ world, with an eye to its variations across time, space and social strata, this course inspects how the European world has developed—and then attempted to universalize—a very unique concept and practice of aesthetics, which is bound up in various ways with colonial expansion and the capitalist exhibition of symbolic goods.
Reading: Gabriel Rockhill, Radical History & the Politics of Art
Recommended Film: Chris Marker and Alain Resnais, Statues also Die
Here is the discussion that I had with Jennifer Ponce de León at the Critical Theory Workshop / Atelier de Théorie Critique in Paris on June 25, 2018, entitled “The Art of Moving through the Looking Glass: Aesthetics and Revolution”:
Here is the discussion that I had with Jennifer Ponce de León and Seloua Luste Boulbina at the Critical Theory Workshop / Atelier de Théorie Critique in Paris on June 18, 2018, entitled “Is the ‘Decolonial Turn’ a Colonial Return?“:
Here is the discussion that I had with David Palumbo-Liu at the Critical Theory Workshop / Atelier de Théorie Critique in Paris on June 13, 2018, entitled “1968-2018 aller-retour: Student Uprisings, Fascist Violence & Antifascism Today”:
