The Critical Theory Workshop will by launching its symposia series on April 26th, 2019, and I will be presenting my research on the consequences of the CIA’s cultural Cold War on the international theory industry. Click here for additional details.
I am very pleased to have the opportunity to present with Jennifer Ponce de León at the International Art and Theory Program in New York tomorrow, April 18th, from 5:30 to 7 p.m. We will be discussing third cinema and the limits of decolonial theory in the framework of our ongoing research on aesthetics and revolutionary politics.
I am honored to have the opportunity to present my research on the remake, entitled “Temporal Vertigo: The Art of the Remake from Hitchcock to Gilliam via Marker,” at the University of Houston on April 4th, 2019.
AESTHETICS: TOWARD A RADICAL HISTORY
This seminar will explore some of the most vexing questions in the history of aesthetics: What is art? How does it relate to the ‘real’ world of politics and society? How has it developed and changed over time? It will examine some of the responses given to these questions by major thinkers like Georg Lukács, Herbert Marcuse, Jean-Paul Sartre, Susan Sontag and Jacques Rancière. This will lead to a broader interrogation into the very presuppositions that structure these types of questions, as well as their answers, thereby opening space for a tectonic shift in our understanding of aesthetics, its social roles, and its history.
In its broadest sense, this shift will lead from an understanding of aesthetics as having a more or less fixed nature to one in which it is radically historicized by being recognized as a dynamic social product of certain cultures. Examining the networks of production, circulation and reception operative in what is called art in the modern ‘Western’ world, with an eye to its variations across time, space and social strata, this course inspects how the European world has developed—and then attempted to universalize—a very unique concept and practice of aesthetics, which is bound up in various ways with colonial expansion and the capitalist exhibition of symbolic goods.
Je suis ravi de pouvoir participer — par visioconférence, malheureusement — à ce colloque sur les théories critiques franco-allemandes, qui aura lieu le 18 février à l’Université Paris Nanterre. Un grand merci à Pauline Julien et à Aurélia Peyrical pour avoir établi ce beau programme. Si vous êtes à Paris, n’hésitez pas à venir !
On October 18, 2018, I was very pleased to have had the opportunity to present, with Jennifer Ponce de León, our collaborative book project on “Revolutionizing Aesthetics” at the annual conference of the Association for the Study of the Arts of the Present (ASAP).
Here is the discussion that I had with Jennifer Ponce de León at the Critical Theory Workshop / Atelier de Théorie Critique in Paris on June 25, 2018, entitled “The Art of Moving through the Looking Glass: Aesthetics and Revolution”:
Here is the discussion that I had with Jennifer Ponce de León and Seloua Luste Boulbina at the Critical Theory Workshop / Atelier de Théorie Critique in Paris on June 18, 2018, entitled “Is the ‘Decolonial Turn’ a Colonial Return?“:
Here is the opening presentation that I gave at the Critical Theory Workshop / Atelier de Théorie Critique in Paris on June 11, 2018, entitled “Radicalizing Critical Theory“:
I will be presenting and discussing chapter two of Counter-History of the Present , entitled “Are We Really Living in a Technological Era?,” at Yale University on Friday April 6th, 2018 at 12 p.m. (Loria, 190 York Street, Room B-50). The event is organized by the Internet Culture Working Group and co-sponsored by the Marxism and culture Working Group. In addition to discussing this chapter and framing it in relation to the overall project of a counter-history of the present, I will outline my current research on the subterranean history of the national security state’s manipulation of the intellectual and cultural means of production.